
The first track
Quicksand Eggs of a beaten Pathos clocks in at
around 30mins, starts off like the
Residents at their most jovial… a
comedy of bendy melodica that falls over into full on brutalism
bullied in percussive kicks and hints of piano storms… It’s a baptism
of fire, a swarm of digital insects gnawing at your grey matter, but
your skull isn’t pummelled for too long before your endurance is
rewarded with a drone bed of sinister Neubauten-esque DIY ‘s and
hammered piano amputations… Some great sequenced candy follows, eking
out ill-omens, organ lines thrown over grumbling discomfort… mad
trebly can openers hooking at the debris like those red roosters
dancing over a post nuclear diorama on the back cover… that reverbed
intensity and smashing percussion is something else… quasi glints of a
goose stepping clout, like some digitally distressed hybrid of Test
Dept and Laibach… breaking away in an unpredictable feast of drum
patterns and textural quarrel, chugging out those asymmetrical highs
and BPM runaways … It's as if the band
Ruins has been replaced by a
dominion of broken robotics and sputtering dot matrixes and cattle
prodded into spastic action…
Ideas flash by at a bewildering speed, everything evolves with amazing
fluidity, spurs off in freshly inspired directions... never for one
minute remotely boring... at one point Arvo even seems to be
redefining drum and bass in fist fighting billiards and Wurlitzer
panel punch… This is a bit like those
Venetian Snares but way more berserk with the tempo, and homicidal in the collisions.
The second track
Deadbeat deluxe is as possessed as the first, a
mad assemblage of avant mangled hilarity and butt slapped S&M with
some tasty Nintendoed Kraftwerk, propping up what sounds like a
shoulder smashed garage door before it slips into all out
industrialised glee … An intensity that’s later cut back in sparse
percussion, only to launch into a junkyard techno of mortar beat and
cracking schism … further machine gunned into a grainy post existence
of unrelenting ear knives … cut-up in a mud slapped
finale of punched hydraulics some 16(ish)mins later.
The last track
Plasthma, continues the sequenced mania… strange
wreckage indeed that rips through your ear in shrill-like varieties,
only to fall back into that
Residents avant classical vibe that
started the album off.
This will either leave you with a splitting headache or a humongous grin... but I swear somewhere in this
albums 59 mins I heard multiple futures...