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Footwork

Posted by Cloudboy on April 30, 2012

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+( staggered perfections )+

footwork

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Lisa Germano, Sunburned Hand of Man, Six Organs of Admittance

Live @ Seymours Family Club, Bristol Thurs 7th Dec I just sat there mesmerised whilst Lisa Germano single-handingly recreated old favourites and freshly minted songs through her keyboards, guitar and of course, those breathy vocals that have only improved with age. Small Heads, Reptile, some tracks off Liquid Pig, In the Land of the Fairies (a dream come true for me), Golden Cities, Into Oblivion and a few others from her latest album – In the Maybe World . Oh this was just bliss, eyes shut, soaking up the atmosphere. Absolutely brilliant and worth the wait, even if the experience was a little short lived, also had a quick chat with her while she signed my poster – the sad fanboy I am!!! Sunburned Hand were wow, or should I say WOW!!!, five guitarists (one of who was Hush Arbors’ Keith Wood and I suspect that Ben was in there too), 1 sax, a tree branch, an unholy thicket of electronic trinkets and assorted clatter, all on a mission to bend the contents of your skull. There was so mu...

Autotistika, Kostis Kilymis, Dead Gum and Embarker

20th November Power Lunches , London Power Lunches had undergone some changes since I was here for Stereocilla last year. The side walls of the cellar space were now fitted out with full length mirrors on both sides, their multiple reflections milking a certain Fripp and Eno 'no pussyfooting' vibe in my head, full of Logan's run like distortions running the spaces proportions. Caught a distorted eyeful of myself masked up in the gloom and attempted to divine those bizarrements in my Autotistika slot, suffice to say, had a lot of fun in doing so, derailing into some diced n sliced techno agitations, finally squeezing in Anna's ergo toxin fragments before abrupt sign offs. Following on after me was Kostis Kilymis (label boss of organized music from thessaloniki )whose machines seemed full of chewed billiards, a pulsing soup of skipping envelopes, chattering teeth and weathered sweeps. Minimal architectures that rumbled through the blue hued darkness sup...

Raccoo-oo-oon - Is Night People

This was Raccoo-oo-oon's first record (well tape to be more precise) recorded back in 2005, and originally released in an insanely small edition that was unsurprisingly swallowed up by an eager public. Fortunately for the rest of the world, the Swedish label Release the Bats has gone and done a splendid job of resurrecting it on CD, and going that extra mile by coating it in a gobsmackingly beautiful package that makes the candy inside taste all that bit sweeter. Shawn Reed‘s lush gilded symbolism is set off superbly by the burnt olive stock like ancient rock art rivers of consciousness caught in the light of a dying sun. The music is an odd mix of shamanic work-outs and tainted indie rock with a slightly catchy rhythm under pinning most tracks. A smearing of tune that wobbles uneasily in the half-light with guitars, drums and choruses that are never too far from the ritualistic. A splattering of quirky/mystical electronics wraps it all up nicely. Loads of tracks stand out on thi...

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